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Tribal Art |
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Kurze Erläuterung:
(Quelle: University of Iowa, School of Art and Art History)
Baga
Wooden figures, often worn or carried in the form of masks, are used by the initiation societies to educate initiates about the role of the spirits whom they represent. Large wooden serpent figures appear at initiations, and carved anthropomorphic figures are placed on shrines. The ancestors are represented in figures that embody both human and animal characteristics. Geographically the Baga belong to the coast, yet their art is more stylistically akin to that found in the Western Sudan region.
Bamileke
Most Bamileke statues represent the chief (Fon). Masks are also carved. Beautiful beadwork associated with the Fon is common throughout this area. The art styles of the peoples in the Grasslands are very hard to differentiate due to the complex and recent migration patterns that are typical of the region.
Baule
The Baule create art in several media, including wooden sculpture, gold and brass casting similar to their Asante ancestors, and mask and figure carving, which have been greatly influenced by their Senufo and Guro neighbors.
Bembe
The Bembe carve numerous kinds of wooden figures that represent various spirits. They also carve several different kinds of masks, the most notable being antelope horn masks (elande). Knives, staffs, fly whisks, and divination gourds are also often decorated.
Dan
Dan sculptors mainly produce masks which deal with virtually every element in Dan society, including education, competition, war, peace, social regulation, and of course, entertainment. They also produce stylized wooden spoons and intricate game boards used for mancala, a common game of "count and capture".
Dogon
The Dogon are best known for their extensive carving of masks and wooden figurative art. The primary colors used by the Dogon are usually red, black, and white, and popular patterns include spirals and checkerboard motifs, both of which can be traced to their origin stories.
Fang
The Fang are best known for their wooden reliquary figures which are abstract anthropomorphic carvings. There are a few in collections that are still attached to the original relics they were meant to protect.
Hemba
The artistic style of the Hemba is very similar to that of the Luba, as many of their forms are borrowed. Art often results from the elaboration of otherwise simple utilitarian objects. Extensive wooden sculptures, which often represent the ancestors, predominate.
Ibibio
The masks and accouterments of the Ekpo society make up the greatest works of art in Ibibio society. Drumming and music are also important elements in Ekpo ceremonies. The wooden sculpture from this area is also very detailed, and artists are just as likely to capture beauty as they are the hideous forms of evil spirits.
Igbo
Due to the diversity of the Igbo people, it is impossible to generalize about a pure Igbo art style, which has characteristically been representative of numerous geographical regions. It could be said, though, that most Igbo do carve and use masks, but the function of these masks vary from village to village. They are famous for Mbari architecture.
Lega
The Bwami society is the context for the production of most Lega art work, which includes ivory and wooden statuettes and masks. Ivory objects are reserved for the highest level, Kindi, while wooden objects are used by Kindi and Yonanio, the second level.
Lobi
The Lobi carve numerous types of objects, ranging from those used every day to figures that embody religious ideals. The figures (bateba) are recognized as living beings, which are placed on the shrines of thila and are able to communicate with one another and to fight off witches.
Luba
The iconographic representation of women in Luba sculpture is widespread and correlates to the important role of women in Luba society. The Luba are best known for their stools, divination bowls (mboko), beautifully carved bow stands, and memory boards (lukasa).
Mambila
Wooden statues are carved to represent the ancestors, and masks that are worn on the top of the head are carved for use in initiation. Most of these are characterized by red ocher paint that is applied with white chalk on a soot blackened background.
Mende
Most Mende art is associated with initiation and healing and includes wooden masks, twin figures, and medicine objects. Utilitarian objects such as heddle pulleys are decorated with carved heads or other beautiful designs.
Mumuye
Until the 1970s most Mumuye sculpture was misattributed to their neighbors the Chamba. Their style is distinctive, assuming a long narrow pole-like style. They also use bush cow masks like those of their neighbors.
Punu
The most common types of objects found are carved masks, which have been stylistically compared to Japanese art. They also carve standing reliquary figures, which watch over the bones of the deceased.
Senufo
All Senufo art is made by specialized artisans, which may diminish regional stylistic differences. Figures representing the ancestors are common, as are brass miniatures and small statues, which are used in divination. There are several types of masks used by the Poro society.
Songye
There are numerous mask styles associated with the Songye. Power objects and objects associated with divination are also prevalent in Western collections. In the past many Songye objects have been misattributed to the Luba and vice versa.
Suku
Various wooden sculptures are made, extending from religious and magical figures to everyday status items, such as elegantly carved cups and hair combs. The Suku, like their neighbors the Yaka, also create complicated masks, which are used by the initiation societies.
Yoruba
The arts of the Yoruba are as numerous as their deities, and many objects are placed on shrines to honor the gods and the ancestors. Beautiful sculpture abounds in wood and brass and the occasional terracotta. Varied masking traditions have resulted in a great diversity of mask forms. Additional important arts include pottery, weaving, beadworking and metalsmithing.